Prof. Dr. phil. Susanne Gehrmann
Profil
Forschungsthemen14
Afrikanische KindersoldatInnen in Literatur und Film. Repräsentation, Diskurs, Ästhetik
Quelle ↗Förderer: DFG Sachbeihilfe Zeitraum: 10/2015 - 02/2019 Projektleitung: Prof. Dr. phil. Susanne Gehrmann
Afrikanische KindersoldatInnen in Literatur und Film. Repräsentation, Diskurs, Ästhetik
Quelle ↗Förderer: DFG Sachbeihilfe Zeitraum: 10/2017 - 02/2021 Projektleitung: Prof. Dr. phil. Susanne Gehrmann
co2libri
Quelle ↗Förderer: Berlin University Alliance (BUA) Zeitraum: 07/2022 - 12/2025 Projektleitung: Prof. Dr. Claudia Derichs, Ph.D. Rosa Cordillera Castillo, Prof. Dr. Manja Stephan, Prof. Dr. Andrea Fleschenberg dos Ramos Pinéu, Prof. Dr. phil. Susanne Gehrmann
De:link//Re:link: Lokale Perspektiven auf transregionale Ver- und Entkopplungsprozesse
Quelle ↗Förderer: Bundesministerium für Forschung, Technologie und Raumfahrt Zeitraum: 04/2021 - 06/2024 Projektleitung: Prof. Dr. Claudia Derichs
Erforschung der Kreativwirtschaft in Afrika: Austausch von Wissen, Methoden und Praktiken
Quelle ↗Förderer: Erasmus und Erasmus+ Zeitraum: 01/2025 - 12/2025 Projektleitung: Prof. Dr. phil. Susanne Gehrmann
Fachkonferenz: Empires and Boundaries. Reconsidering Issues of Race, Class and Gender in African and Asian Colonial Settings ( Veranstaltung: 18.09.-20.09.06, Berlin)
Quelle ↗Förderer: DFG sonstige Programme Zeitraum: 09/2006 - 09/2006 Projektleitung: Prof. Dr. phil. Susanne Gehrmann
Lokale Perspektiven auf transregionale Ver- und Entkopplungsprozesse am Beispiel von Chinas Belt-and-Road-Initiative (De:Link//Re:Link II)
Quelle ↗Förderer: Bundesministerium für Forschung, Technologie und Raumfahrt Zeitraum: 10/2024 - 09/2027 Projektleitung: Prof. Dr. Claudia Derichs, Sebastian Großmann
Medienwechsel und Intermedialität in togoischen Kulturen
Quelle ↗Förderer: Alexander von Humboldt-Stiftung Zeitraum: 01/2013 - 12/2016 Projektleitung: Prof. Dr. phil. Susanne Gehrmann
Panafrikanische Ausdrucksformen in der afroeuropäischen Popkultur
Quelle ↗Förderer: DFG sonstige Programme Zeitraum: 02/2026 - 06/2026 Projektleitung: Prof. Dr. phil. Susanne Gehrmann
Panelvorbereitung "Writing the Future through Retrospective" / 282014
Quelle ↗Zeitraum: 05/2015 - 06/2015 Projektleitung: Prof. Dr. phil. Susanne Gehrmann
Social Cohesion Projekt GC_SC_PC_35 Übersetzen als Praxis und Politik in einer globalisierten Welt: Perspektiven der Gender und Diversity Studies
Quelle ↗Förderer: Berlin University Alliance (BUA) Zeitraum: 11/2019 - 12/2020 Projektleitung: Prof. Dr. Ulrike Vedder, Prof. Dr. Beate Binder, Prof. Dr. phil. Susanne Gehrmann, Prof. Dr. Eveline Kilian
Sprache als Wissen – Innovative Lehrkonzepte für Manding (Bambara) in den interdisziplinären Afrikawissenschaften
Quelle ↗Förderer: Andere inländische Stiftungen Zeitraum: 11/2025 - 12/2026 Projektleitung: Prof. Dr. phil. Susanne Gehrmann
Symposium "Conventions & Conversions. Generic Innovations in African Literature" (Veranstaltung: 1.3. - 4.3.2010, Berlin)
Quelle ↗Förderer: Volkswagen Stiftung Zeitraum: 12/2009 - 06/2010 Projektleitung: Prof. Dr. phil. Susanne Gehrmann
Übersetzen als Praxis und Politik in einer globalisierten Welt: Perspektiven der Gender und Diversity Studies
Quelle ↗Zeitraum: 11/2019 - 04/2020 Projektleitung: Prof. Dr. Ulrike Vedder
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Publikationen25
Top 25 nach Zitationen — Quelle: OpenAlex (BAAI/bge-m3 embedded für Matching).
Journal of African Cultural Studies · 69 Zitationen · DOI
This paper explores some aspects of the controversy which is now surrounding Afropolitanism, and examines the philosophical and literary output in relation to the concept. Mobility between spaces, in the cosmopolitan tradition, as well as digital mobility and visibility through the use of social media, are considered as key elements of Afropolitanism as a diasporic movement. So Afropolitanism can be described as a form of cosmopolitanism with African roots. However, the commodification of the term as a brand, and the class bias of Afropolitan lifestyle are more problematic. In the second part of the paper, the positions of African intellectuals are shown to convey more philosophical depth and moral relevance to Afropolitanism. In this vision of the concept, as it was initiated by Achille Mbembe, Afropolitanism is relevant for both the diaspora and for Africa. Afropolitanism in this understanding of it decentres, de-essentializes and valorizes the continent. The paper closes with readings of two novels of celebrated writers of the Afropolitan generation, namely Taiye Selasi's Ghana Must Go and Teju Cole's Open City. These novels feature complex Afropolitan characters and create a dense literary landscape through which to explore contemporary Afro-diasporic identity politics. The spatial and cultural mobilities expressed in this literature confirm Mbembe's repositioning of Africa as a philosophical locus of passage and mobility.
39 Zitationen
List of Figures. Acknowledgments. 1. Introduction: Empires, Boundaries and the Production of Difference. Harald Fischer-Tine and Susanne Gerhmann. 2. Education for Work in Colony and Metropole: The Case of Imperial Germany, c. 1880-1914. Sebastian Conrad. 3. Hierarchies of Punishment in Colonial India: European Convicts and the Racial Dividend (c. 1860-1890). Harald Fischer-Tine. 4. Boundaries of Race: Representations of Indisch in Colonial Indonesia Revisited. Vincent J.H. Houben. 5. Contested Boundaries of Whiteness: Public Service Recruitment and the Eurasian and Anglo-Indian Association, 1876-1901. Satoshi Mizutani. 6. Citizenship and the Politics of Difference in French Africa, 1946-60. Frederick Cooper. 7. Gendering the Colonial Enterprise: La Mere-Patrie and Maternalism in France and French Indochina. Nicola J. Cooper. 8. A Hybrid Gaze from Delacroix to Djebar: Visual Encounters and the Construction of the Female Other in the Colonial Discourse of Maghreb. Claudia Gronemann. 9. In the Empire's Eyes: Africa in Italian Colonial Cinema between Imperial Fantasies and Blind Spots. Immacolata Amodeo. 10. Rationalizing the World: British Detective Stories and the Orient. Margrit Pernau. 11. African Americans in West and Central Africa in the Late 19th and Early 20th Centuries - Agents of European Colonial Rule? Katja Fullberg-Stolberg. 12. The Boundaries of Blackness: African American Culture and the Making of a Black Public Sphere in Colonial South Africa. Zine Magubane. Index.
9 Zitationen · DOI
This paper explores some aspects of the controversy which is now surrounding Afropolitanism, and examines the philosophical and literary output in relation to the concept. Mobility between spaces, in the cosmopolitan tradition, as well as digital mobility and visibility through the use of social media, are considered as key elements of Afropolitanism as a diasporic movement. So Afropolitanism can be described as a form of cosmopolitanism with African roots. However, the commodification of the term as a brand, and the class bias of Afropolitan lifestyle are more problematic. In the second part of the paper, the positions of African intellectuals are shown to convey more philosophical depth and moral relevance to Afropolitanism. In this vision of the concept, as it was initiated by Achille Mbembe, Afropolitanism is relevant for both the diaspora and for Africa. Afropolitanism in this understanding of it decentres, de-essentializes and valorizes the continent. The paper closes with readings of two novels of celebrated writers of the Afropolitan generation, namely Taiye Selasi’s Ghana Must Go and Teju Cole’s Open City. These novels feature complex Afropolitan characters and create a dense literary landscape through which to explore contemporary Afro-diasporic identity politics. The spatial and cultural mobilities expressed in this literature confirm Mbembe’s repositioning of Africa as a philosophical locus of passage and mobility.
6 Zitationen
Études littéraires africaines · 6 Zitationen · DOI
The Child Soldier’s Soliloquy. Voices of a New Archetype in African Writing. Un article de la revue Études littéraires africaines (L’enfant-soldat : langages & images) diffusée par la plateforme Érudit.
6 Zitationen
Transplantation Proceedings · 4 Zitationen · DOI
Introduction
20084 Zitationen · DOI
This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book presents an effort to move a step closer toward achieving such an ambitious project of collaboration. It unites a dozen international scholars whose research spans three different world regions that have been strongly shaped by their respective colonial pasts, as well as historians and scholars of cultural studies focusing on imperialism and its repercussions on Europe’s major imperial power. It illustrates the extent to which simultaneity and juxtaposition were characteristic features in the use of categories of differentiation. The book reveals the astonishing extent to which the White inmates of the British elite institutions were privileged in terms of food, clothing, space, and general treatment, compared with their Indian brothers in distress.
Revue de l’Université de Moncton · 4 Zitationen · DOI
Cet article élabore le concept de la traversée du Moi en tant qu’outil méthodologique d’interprétation des écritures autobiographiques francophones actuelles. Concept qui s’érige contre l’expression de la quête d’identité, la traversée du moi souligne la pluralité ouverte du sujet esquissé dans les textes autobiographiques de Assia Djebar, Ken Bugul et Patrick Chamoiseau.
3 Zitationen · DOI
This chapter examines the romance genre in Togo. After the death of President Eyadema in 2005, the cultural scene in Lomé has become more diversified. In this context, popular writing in French has been flourishing afresh over the last 15 years. Romance has known an impressive boom after 2010 and dominates the local book market by end of this decade. This chapter gives an overview on this development and points out the success of author Serge Azialé. Furthermore, the innovative writing of Jeannette Ahonsou, who combines patterns of crime fiction and romance in her novels of suspense, is introduced with a close reading of Le piège à conviction (The trap of conviction). The last section examines the adoption of the global wave of chick lit in the writing of Franco-Togolese author Lauren Ekué whose seminal novel Icône urbaine (Urban Icon) is analyzed. The chapter shows that in spite of its dominantly conservative and formulaic patterns, romance made in Togo is not a homogeneous genre. Male and female authors of different generations use it to express desires and dreams in contemporary urban settings that speak to large audiences. The scope of Togolese romance embraces a great variety, including elements of erotic fiction, crime fiction, social critique and chick lit.
Tydskrif vir letterkunde · 3 Zitationen · DOI
Taking recent debates on ‘How to write Africa’ in general and the allegations of sexism in Fiston Mwanza Mujila’s novel Tram 83 in particular as a starting point, I analyze three texts by the Austria-based Congolese author in this article. Considering the scope of each text, namely Tram 83 (2014), the play Zu der Zeit der Königinmutter (The Times of the Queen Mother, 2018), and the latest novel La danse du vilain (The Dance of the Villain, 2020), shifting images and meanings of gender dichotomies are explored alongside Mujila’s aesthetic literary devices. The article is structured around the omnipresent setting of bars that develop from a disputable ‘African’ bar in Tram 83 to a radically global bar in Zu der Zeit der Königinmutter and to referentially set bars of Central Africa’s postcolonial history in La danse du vilain. I argue that recurrence of the bar as a focal lieu of mingling people in Mujila’s writing underlines its function as satirical microcosm that goes beyond a realistic representation of the Democratic Republic of the Congo. Multilayered cultural references in Tram 83 and Zu der Zeit der Königinmutter construct the setting into a worldly space whereas La danse du vilain privileges a historical approach. As further pointed out, the metatextual level that is woven into the texts comments on the difficulty of the adequate representation of ‘Africa’ and the pitfalls of the global literary market place.
Feminist Theory · 2 Zitationen · DOI
This article examines the novels Icône urbaine (2005, Urban Icon) by French-Togolese writer Lauren Ekué and Blues pour Elise (2010, Blues for Elise) by French-Cameroonian/Afropean writer Léonora Miano, with regard to their contribution to chick-lit in a broad sense. With a focus on urban working women, their love lives and consumerism, these novels fulfil a number of criteria of mainstream chick-lit. At the same time, however, a serious concern for structural power relations is inscribed into these texts. Both novelists make ample use of intermedial writing such as structural borrowing from and references to music, TV formats and the fashion press. I will analyse these narrative strategies and address how far Ekué and Miano copy, rewrite and reinvent the Anglo-American chick-lit genre from the transnational perspective of the African Diaspora in France and considering the peculiarities of black Paris as a space.
Journal of World Literature · 1 Zitationen · DOI
Abstract The article examines narratives by and about former child soldiers in the Democratic Republic of the Congo, a hitherto neglected corpus despite the topicality of child soldiering in African literatures after 2000. Critical readings of three testimonial texts that have been published in France are juxtaposed with the analysis of one testimonial narrative and one youth novel that have been published in Kinshasa. The editorial framing and narrative strategies that speak to different audiences located in different literary fields are identified. The popularity of testimonial narratives in the West relies on the depiction of violence and the iconic function of the child soldier in medial and human rights discourses. By contrast, narratives about the reconciliation and the reintegration of child soldiers prevail in the DRC . Thus, the different functions of global and local narratives on the sensitive issue of children at war are exposed.
1 Zitationen · DOI
3.1 Introduction
20191 Zitationen · DOI
Project Muse (Johns Hopkins University) · 1 Zitationen
Karthala eBooks · 1 Zitationen · DOI
English Studies in Africa · 1 Zitationen · DOI
Heart of Darkness is certainly the most important founding text for a literary tradition of representing the Congo. Yet at the historical moment, it was just one text in a much larger corpus of travel writing, reports, pamphlets and fiction that formed a discourse on the so-called Congo atrocities, a subject which provoked heated debate among colonial powers at the time. The larger discursive formation has political implications for Europe and the colonial politics of the day. This article explores the contribution of popular genres, including adventure and romance fiction, to the representation of the particular crimes committed in the Congo Free State. Focussing on Henri de Vere Stacpoole’s The Pools of Silence (1909) and Arnaldo Cipolla’s L’Airone: Romanzo dei fiumi equatoriali (1920), I argue that contemporary fiction served to construct the Congo as a space of terror and degeneration while simultaneously employing discursive patterns and images taken from contemporary political debates about the Free State in the wake of Roger Casement’s 1904 Report. As I show, colonial competition between European nations exerted a shaping influence upon both the terms and reception of these popular works.
Tydskrif vir letterkunde · 1 Zitationen · DOI
This article explores the Congolese remembering of the experienced colonial violence through the medium of literature. Although criticism of colonialism is not a favourite topic of Congolese writers, there exists an important corpus of texts, especially when the literary production of Congo Kinshasa and Congo Brazzaville with their politically distinct though sometimes similar experiences is taken into account. Three main strategies of writing about the topic can be distinguished: a documentary mode, an allegorical mode and a fragmented mode, which often appear in combination. Intertextuality with the colonial archive as well as oral African narrations is a recurrent feature of these texts. The short stories of Lomami Tchibamba, of the first generation of Congolese authors writing in French, are analysed as examples for a dominantly allegorical narration. Mythical creatures taken from the context of oral literature become symbols for the process of alterity and power relations during colonialism, while the construction of a heroic figure of African resistance provides a counter-narrative to colonial texts of conquest. Thomas Mpoyi-Buatu’s novel La reproduction (1986) provides an example of fragmented writing that reflects the traumatic experience of violence in both Congolese memory of colonialism and Congolese suffering of the present violent dictatorial regime. The body of the protagonist and narrator becomes the literal site of remembering.
Matatu · 1 Zitationen · DOI
The construction of African male blackness is read against the backdrop of Fanon’s Black Skin, White Masks, a text that informed the writings of Simon Njami as well as of authors such as Dambudzo Merechara, Dillibe Onyeama, and Daniel Biyaoula. Njami’s African Gigolo exposes the ‘pathological patterns’ of male behaviour and the mythical image of black male sexuality to be structurally rooted in (historically established) reciprocal assumptions about Euro-African gendered encounters.
Revue de littérature comparée · 1 Zitationen · DOI
Le débat journalistique et politique sur les « atrocités congolaises » dans l’État indépendant du Congo fondé par le roi Léopold II de Belgique, colonie privée conçue selon les principes d’une « Raubwirtschaft » pure et dure, a mis l’Afrique à la une de l’actualité en Europe à partir de 1900 et permet une réflexion sérieuse sur les problèmes dus à l’activité colonisatrice européenne en Afrique. Au-delà de l’engagement moral et humanitaire des missionnaires et de la Congo Reform Association fondé à Londres en 1904, le Congo devient un sujet littéraire et médiatique très présent dans l’imaginaire européen de ces années. On pourra même dire que ce débat participe à l’éclosion du type de l’intellectuel engagé du XXe siècle, car un nombre important d’acteurs culturels (qui n’étaient pas nécessairement proches des questions qui touchent à l’Afrique) y participent et s’organisent dans un réseau. Le texte montre, à partir d’un roman italien et d’un recueil de nouvelles suisse, qu’il n’y avait pas en Europe, par rapport aux événements du Congo, de position « marginale ».
Matatu · 1 Zitationen · DOI
Continents manuscrits · DOI
À partir de lectures de documents issus des archives de Janheinz Jahn et d’Erica de Bary conservées à la Humboldt Universität zu Berlin, cet article retrace la genèse des traductions allemandes de l’œuvre poétique de Léopold Sédar Senghor. Alors qu’Erica de Bary n’a pas réussi à publier les poèmes de Senghor qu’elle avait traduits dans le cadre de son projet visant à élaborer une version allemande intégrale de l’Anthologie de 1948, son travail a été éclipsé par le projet de Jahn de publier une anthologie plus vaste, Schwarzer Orpheus (1954). Curieusement, c’est de Bary elle-même qui a facilité l’amitié de Senghor avec Jahn, ce qui a permis à ce dernier de devenir le traducteur allemand reconnu du poète sénégalais. Senghor a en effet collaboré étroitement avec Jahn en lui fournissant d’abondantes informations. Cependant, les lettres échangées avec la maison d’édition Hanser révèlent également qu’en tant que traducteur Jahn n’était pas toujours des plus précis, mais bénéficiait de l’aide substantielle de lecteurs et du traducteur Friedhelm Kemp. L’article retrace aussi l’histoire de l’édition des traductions allemandes de la poésie senghorienne.
Ce chapitre vise une analyse de l'expression des traumatismes de longue durée issus de la violence coloniale au Congo dans l'écriture autobiographique et la photographie. En guise d'exemple, on présente deux ouvrages qui combinent photographie et écriture autobiographique : le texte narratif et essayiste de V.Y. Mudimbe Les corps glorieux des mots et des êtres. Esquisse d'un jardin africain à la bénédictine (1994) et l'autobiographie familiale collective de Clémentine M. Faïk-Nzuji, Tu le leur diras. Le récit véridique d'une famille congolaise plongée au coeur de l'histoire de son pays (2005). Congolais·es de la diaspora intellectuelle, les auteur·es intègrent tout·es les deux dans leurs textes des photographies tirées des archives privées et publiques que seront présentés par une approche intermédiatique afin de révéler comment les deux médias de la mémoire, visuelle et scripturale, se soutiennent mutuellement et participent, enfin, de leur manière à la construction de la mémoire collective.
Daas, Fatima
2022J.B. Metzler eBooks · DOI
Kooperationen6
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Lokale Perspektiven auf transregionale Ver- und Entkopplungsprozesse am Beispiel von Chinas Belt-and-Road-Initiative (De:Link//Re:Link II)
research_institute
Social Cohesion Projekt GC_SC_PC_35 Übersetzen als Praxis und Politik in einer globalisierten Welt: Perspektiven der Gender und Diversity Studies
university
Erforschung der Kreativwirtschaft in Afrika: Austausch von Wissen, Methoden und Praktiken
university
Lokale Perspektiven auf transregionale Ver- und Entkopplungsprozesse am Beispiel von Chinas Belt-and-Road-Initiative (De:Link//Re:Link II)
other
Erforschung der Kreativwirtschaft in Afrika: Austausch von Wissen, Methoden und Praktiken
university
Lokale Perspektiven auf transregionale Ver- und Entkopplungsprozesse am Beispiel von Chinas Belt-and-Road-Initiative (De:Link//Re:Link II)
other
Stammdaten
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- Name
- Prof. Dr. phil. Susanne Gehrmann
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- Prof. Dr. phil.
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- Kultur-, Sozial- und Bildungswissenschaftliche Fakultät
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- Institut für Asien- und Afrikawissenschaften
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- Afrikanische Literaturen und Kulturen
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