Prof. Dr. Elahe Haschemi Yekani
Profil
Forschungsthemen2
Revis(ualis)ing Intersectionality
Quelle ↗Förderer: Volkswagen Stiftung Zeitraum: 01/2019 - 06/2022 Projektleitung: Prof. Dr. Elahe Haschemi Yekani
Tales of the Diasporic Ordinary. Aesthetics, Affects, Archives
Quelle ↗Förderer: Horizon Europe: ERC Consolidator Grant Zeitraum: 10/2022 - 09/2027 Projektleitung: Prof. Dr. Elahe Haschemi Yekani
Mögliche Industrie-Partner10
Stand: 26.4.2026, 19:48:44 (Top-K=20, Min-Cosine=0.4)
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- EU: Context Sensitive Multisensory Object Recognition (HBP)P57.0%
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- 8 Treffer57.0%
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Publikationen25
Top 25 nach Zitationen — Quelle: OpenAlex (BAAI/bge-m3 embedded für Matching).
European Journal of English Studies · 153 Zitationen · DOI
In this introduction to the special issue Representing Trans, the authors reflect on the radical changes in trans representation between the early 1990s and the present. Through brief reflections on Pose (2018-) and other landmark examples of trans representation in film and television, the authors show how these changes attest to complex interrelations between visibility, recognition, and violence. Beyond the realm of film and television, the introduction also discusses broader media representations that connect the question of visibility to political debates and the regulation of public spaces. Highlighting a variety of trans theorical engagements with different forms of mediality (including literature), the authors propose a more expansive understanding of trans as a reading practice as well as a method of analysing and transing medial forms.
Medical Entomology and Zoology · 94 Zitationen
Contents: Introducing queer futures, Elahe Haschemi Yekani, Eveline Kilian and Beatrice Michaelis Section I Framing Activism, Adrian de Silva No fat future? The uses of anti-social queer theory for fat activism, Francis Ray White Cripping the visual: visual politics in crip queer activism, Heike Raab Intersexualization and queer anarchist futures, Lena Eckert Beyond the politics of inclusion: securitization and agential formations in Brazilian LGBT parades, Jan Simon Hutta Pink prisons, rosy futures? The prison politics of the pink triangle, Dominique Grisard. Section II Beyond the Political?, Vojin Sasa Vukadinovic Race, sex, and the incommensurate: Gary Fisher with Eve Kosofsky Sedgwick, Jose Esteban Munoz The Third World queer, Bobby Benedicto Queers in concrete: media and intervention, Amy Villarejo. Section III Ethical Challenges and the Lures of Normativity, Jens Borcherding Queering the inorganic, Jeffrey J. Cohen The queer ethic and the spirit of normativity, Roderick A. Ferguson Queer betrayals, Jack Halberstam Queer theory does it raw: the sociopolitical (un)intelligibility of barebackers' bodies, Aidan T.A. Varney Affirm survival: on queer strategies of resistance at queer funerals, Ingeborg Svensson Index.
Verlag Barbara Budrich eBooks · 43 Zitationen · DOI
42 Zitationen
Despite the understanding of scholars that masculinity, far from being a natural or stable concept, is in reality a social construction, the culture at large continues to privilege an idealized, coherent male point of view. The Privilege of Crisis draws on the work of authors such as H. Rider Haggard, Rudyard Kipling, and Joseph Conrad - as well as contemporary postcolonial writers such as J.M. Coetzee, Hanif Kureishi, and Zadie Smith - to show how recurrent references to a crisis of masculinity or the decline of masculinity serve largely to demonstrate and support positions of male privilege.
Palgrave Macmillan UK eBooks · 28 Zitationen · DOI
The relationship between queer theory and intersectionality remains complicated despite obvious parallels between both critical moves. Recent Anglo-American publications have started to address this issue (e.g. Harper et al., 1997; Jackson, 2005; Richardson et al., 2006; Puar, 2007). While both research fields can be linked via an interest in the analysis of multiple and conflicting processes of the formation of identities, they are separated due to a double blank. First, there is a relative neglect of sexuality in theories of intersectionality in gender studies and, second, there is a continuous silence on intersectionality in a predominantly white genealogy of queer theory.' Critical perspectives such as queer of colour critique (Ferguson, 2004; Cohen, 2005) and queer diaspora critique (Gopinath, 2005; Manalansan, 2006), queer disability (McRuer, 2006) and transgender studies (Hines, 2006; Stryker and Whittle, 2006) as well as queer Jewish studies (Boyarin et al., 2003) and queer and class approaches (Hennessy, 2006) have tackled the theoretical dilemma and opened up the debate for a multidimensional queer understanding of identity construction. In what is to follow, we try to organise an imaginary 'trialogue' between, firstly, the Anglo-American formulations of intersectional and multidimensional queer perspectives; secondly, German versions and re-workings of these 'travelling theories' in dis/simultaneous timeframes, socio-historical spaces and contexts; and, thirdly, our proposed reflexive perspective on the practical and epistemological limits of both theoretical cultures.
13 Zitationen · DOI
This open-access pivot book offers transdisciplinary interrogations of the supposed visual evidentiality of categories of human similarity and difference
11 Zitationen
Familial Feeling
20208 Zitationen · DOI
This book analyses the simultaneous emergence of the British novel of the late eighteenth and early nineteenth century and the ideal of the middle-class family as already entangled with writings of the early Black Atlantic, and develops an intriguing reassessment of the rise of the British novel.
8 Zitationen · DOI
This chapter probes the potentials of 'queering' common approaches to political agency and situatedness. It focuses on a vision of solidarity in the 2014 British film Pride as an inroad into modes of being that link queer temporalities. The chapter discusses the position from which demands for justice have been and still are being made. It investigates categories of the self – such as subject/subjectivity, identity, and difference – and introduces students to the pros and cons of employing them in political discourse. The chapter revisits the paradigm of intersectionality, which promised to be a critical tool with which to tackle power and privileged positions as well as the misguided idea that oppression could be safely targeted via one category of marginalization only. It describes the opposite direction by aiming to infuse feminist thinking with queer theory and, in doing so, to enrich the project of queer feminism.
8 Zitationen · DOI
7 Zitationen
In recent years, the has been a central theme in the cultural sciences. Based on the phrase What can a do? (What can a do?) Are in this volume both practices (ie action and production methods) and representations (ie materialized forms) of the taken into consideration. The unusual band consists of ten texts on practices, ranging from threading on food to dying. In 36 Figuration lyrics and artistic work, from Avatar on the surrogate or the cyclist up to the couple, a wide range of specific embodiments will be presented. As the band approaches the localisations of the in cultural from two directions, it is designed according to a turning point: It can be read from two sides turned upside down and. The network body in cultural studies is funded by the German Research Foundation since 2007 merger of scientists from different disciplines. The aim was to put the different concepts and notions of the as they are circulating in the humanities and beyond critical with respect to each other. The volume presents the results.
5 Zitationen · DOI
Abstract The introduction to Revisualising Intersectionality explains the proposal for a revisualising of intersectionality as a double strategy of revising intersectionality and infusing it with a stronger focus on visual perceptions of similarity and difference to understand social stratification and inequality. Haschemi Yekani and Nowicka briefly situate the book within what by now has become the transdisciplinary field of intersectionality studies.
Einleitung
2012Feministische Studien · 4 Zitationen · DOI
3 Zitationen · DOI
Abstract Following an introduction to the field of visual culture studies and the idea of revisualising intersectionality, Haschemi Yekani draws on different forms of media use, artistic practice, and everyday visual culture to problematise notions of difference that rely on a binary of invisibility and visibility. Haschemi Yekani argues that the question of in/visibility needs to go beyond superficially diverse representation and also concerns technological development and a reflection of how media operate within global postcolonial networks of capital. Via discussions of “colour blindness” and “bathroom panic”, the chapter reflects the potential of artistic practice to contribute to a queering and transing of identification and the image repertoire. This includes post-representational artistic practice, strategies of disidentification as well as forms of refusing representation altogether.
3 Zitationen · DOI
Journal of Gender Studies · 2 Zitationen · DOI
This German language handbook on masculinity is a valuable tool for everyone interested in gaining a comparative insight into the by now fairly well-established field of masculinity studies within ...
1 Zitationen · DOI
Das Buch hinterfragt die vermeintliche visuelle Beweisbarkeit von Kategorien menschlicher Ähnlichkeit und Differenz.
1 Zitationen · DOI
1 Zitationen · DOI
1 Zitationen · DOI
Abstract Artifice and authenticity are conflictingly related in the extroverted and stylised displays of feeling in the texts of Laurence Sterne and Ignatius Sancho. Whereas Sterne employs aesthetic playfulness to set himself apart from literary predecessors, Sancho uses it to claim a part in the culture of taste and sensibility. This chapter reads Sancho and Sterne’s literary adoption of a digressive tonality distinctly not as imitative but as entangled. The scenes dealing with slavery in Tristram Shandy and A Sentimental Journey are tied into more bawdy episodes. While not necessarily only sentimental, they still elude ideas of political solidarity. Sancho’s interjections of emotional concern in his published letters in turn not only highlight his capacity to feel (as well as his attachment to his family); in adopting the Sternian digressive dash, he does not adhere to the usual linear form of redemptive abolitionist writing and displays a uniquely Black aesthetic voice, albeit one that also reproduces deprecating sentimental tropes. This needs to be read as more than simply epigonic. Sancho’s digressive tone, it will be argued, intervenes more fundamentally into the sentimentalist romance with the cultured, feeling subject of modernity, while Sterne remains more elusive in his aestheticised divagations.
1 Zitationen · DOI
Abstract Discussing Charles Dickens’s American Notes for General Circulation and Bleak House in conjunction with Mary Seacole’s Wonderful Adventures of Mrs Seacole in Many Lands this chapter traces a crucial shift in mid-nineteenth-century literature which consolidates British imperialism via “enlightened” differentiation from the United States and culminates in the more paternalistic rhetoric following the 1857 Sepoy Rebellion. While travelling both authors construct conciliatory images of the English home that do not overtly challenge the sensibilities of the British reading audience. In her travel account, Seacole utilises a confident tone often directly addressing her readers more familiarly than the Black authors before her. Dickens too uses excessive overt narrative comment to promote an idea of a shared sense of indignation at lacking American manners in his travelogue and at the misguided international philanthropy of Mrs Jellyby in Bleak House . Both their consolidating tonalities rest less on complex introspection than on an explicit reassuring British familiarity. However, while Dickens increasingly understands British familial feeling as tied to whiteness, Seacole contests such racialised conceptions of national belonging.
1 Zitationen
1 Zitationen · DOI
Einleitung
2007GenderCodes · 1 Zitationen · DOI
Abstract In the conclusion of Revisualising Intersectionality , Nowicka and Haschemi Yekani underscore the need for a transdisciplinary revision of the visual anchoring of difference in scientific knowledge production. In cognitive and psychological research, the habitual use of gender or race as categories that can be accessed by relying on visual inputs needs to be questioned. In the social sciences, a careful analysis of scopic regimes of difference can help overcome simplifications both of social constructivism and of biological determinism. In analyses of cultural representation, circular explanatory models of stereotypes producing “bad images” which would be alleviated through “positive images” should be avoided. To this end, the authors suggest learning from artistic research and practice to assume another point of view and disrupt preconceived orders.
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Stammdaten
Identität, Organisation und Kontakt aus HU-FIS.
- Name
- Prof. Dr. Elahe Haschemi Yekani
- Titel
- Prof. Dr.
- Fakultät
- Sprach- und literaturwissenschaftliche Fakultät
- Institut
- Institut für Anglistik und Amerikanistik
- Arbeitsgruppe
- Englische und Amerikanische Literatur und Kultur mit dem Schwerpunkt Postcolonial Studies
- Telefon
- +49 30 2093-70945
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- 26.4.2026, 01:05:50