PD Dr. Holger Schulze
HU-FIS-Profil ↗Inviting speakers from a range of geographical and disciplinary locations and involvingpractitioners as well as theorists, the conference asks how functional sounds have becomeand are still becoming an essential part of everyday culture and what its potentials are for newcritical and inventive ideas for future research and artistic practice. The conference will focus on existing as well as emergent and cutting-edge approaches tofunctional sound design, sonification, auditory culture, everyday soundscapes, artistic conceptsand popular culture. In particular, the conference will encourage presentations that includeboth theoretical and practical aspects and presentations that address everyday contexts withinwhich sound - in its relation to media, technology, and the arts - is constitutive for new ways ofthinking, listening, and becoming. The conference also aims to examine, explore and critically engage with the issues and implicationscreated by the growing field of sound studies. The ubiquity of sound in everyday communicationand our daily sonic environment is not a new phenomenon; but the study of non-verbal communicationthrough sound has only recently gained more attention in the academic realm. As part of whathas been termed an auditory turn (Meyer 2008), recognition of the research of Canadian andworldwide acoustic ecology since the 1960s and the more recently established auditory or soundstudies (Bull/Back 2003, Cox/Warner 2004, Schulze 2008, Bijsterveld/Pinch 2011, Sterne 2012)has grown to become an integral part of a variety of fields of study.
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