Prof. Dr. Shintaro Miyazaki

Profil

Zusammenfassung

Prof. Miyazaki erforscht die kulturellen und epistemologischen Dimensionen von Algorithmen, Computertechnologien und Klang. Seine Expertise liegt darin, versteckte Muster und Rhythmen in digitalen Systemen sichtbar zu machen und dabei kritische, oft künstlerische Methoden einzusetzen – von Media Archaeology bis zu experimentellem Design. Praktisch nutzen lässt sich diese Kompetenz für die Gestaltung von Technologien, die transparenter, zugänglicher und gemeinschaftlicher werden sollen.

Skills

Name

Prof. Dr. Shintaro Miyazaki

Titel

Prof. Dr.

Fakultät

Kultur-, Sozial- und Bildungswissenschaftliche Fakultät

Institut

Institut für Kulturwissenschaft und Medienwissenschaft

Arbeitsgruppe

Digitale Medien und Computation (J)

E-Mail

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Telefon

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HU-FIS-Profil

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Zuletzt gescrapt

28.6.2026, 01:09:58

• Entwicklung, Produktion und Vertrieb einer Community Hearing Aid

  Quelle ↗

  Förderer: Bundesministerium für Wirtschaft und Energie Zeitraum: 01/2026 - 12/2026 Projektleitung: Prof. Dr. Shintaro Miyazaki

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• AlgoRHYTHMS Everywhere: A Heuristic Approach to Everyday Technologies

  2013

  20 Zitationen · DOI

  Ouverture In a post-digital era, where digital computerized technology is no longer a novelty but already ubiquitous, it is crucial to understand the meaning-creating potential of rhythm in a “media archeological,” techno-cultural, and epistemological sense (Ernst 31; Huhtamo and Parikka). And while doing so rhythm should be defined as an inter-modal1 tool and model for analyzing cultural objects and their hidden relations with current techno and media-cultural situations. “Algorhythm” is a heuristic combination of the words ALGORITHM and RHYTHM. Algorithm is a term crucially used in computer science and means a finite sequence of step-by-step instructions, a procedure for solving a problem, often used in computers as a fundamental principle of software or in everyday life, for example as cooking recipes. Rhythm, on the other side, is defined by Plato as a time-based order of movement, where movement should be understood as movements of materials that can be measured by technical—but at the same time epistemological—tools.2 “Algorhythms” are consequently combinations of symbolic and real physical structures. They occur when real matter is controlled by symbolic and logic structures like instructions written as code. “Algorhythms” let us hear that our digital culture is not immaterial, but lively, rhythmical, performative, tactile and physical, and, most importantly, that “algorhythms” are not just normal rhythms. Their transmissions and storages can nowadays be quick enough to deceive our senses, and also their manipulative power—namely their speed and quality of calculations—became in the last decades faster than our human senses. “Algorhythms” oscillate “in-between” the symbolic and the real, between codes and real AlgoRHYTHMS Everywhere: A Heuristic Approach to Everyday Technologies

• Algorhythmics: Understanding Micro-Temporality in Computational Cultures | Computational Culture

  2012

  19 Zitationen

• Urban sounds unheard-of: a media archaeology of ubiquitous infospheres

  2013

  Continuum · 18 Zitationen · DOI

  This article describes the exploration of urban media environments through its critical and aesthetic analysis with the help of a self-made auditory device called 'Detektor', which demodulates the otherwise inaudible electromagnetic signals and rhythms into audible sounds again. It proposes two case studies based on methods of media archaeology and furthermore, it conducts a rhythm analysis of ubiquitous infospheres. Finally, it will argue that the neologism of algorhythm, a combination of the word algorithm with rhythm, could be one of many media theoretical consequences of the findings described.

• Anton Schlesinger GmbH

  Entwicklung, Produktion und Vertrieb einer Community Hearing Aid

  company