Dr. Natasa Jagdhuhn
Profil
Forschungsthemen1
Die Bewegung der Blockfreien Staaten und die Dekolonialisierung des Museumsfeldes: Antikoloniale Museen in Jugoslawien (1961–1989)
Quelle ↗Förderer: DFG Eigene Stelle (Sachbeihilfe) Zeitraum: 03/2024 - 11/2028 Projektleitung: Dr. Natasa Jagdhuhn
Mögliche Industrie-Partner10
Stand: 26.4.2026, 19:48:44 (Top-K=20, Min-Cosine=0.4)
- 14 Treffer56.7%
- EU: Transmitting Contentious Cultural Heritages With the Arts: From Intervention to Co-Production (TRACES)P56.7%
- EU: Transmitting Contentious Cultural Heritages With the Arts: From Intervention to Co-Production (TRACES)
- 13 Treffer56.7%
- EU: Transmitting Contentious Cultural Heritages With the Arts: From Intervention to Co-Production (TRACES)P56.7%
- EU: Transmitting Contentious Cultural Heritages With the Arts: From Intervention to Co-Production (TRACES)
- 14 Treffer56.7%
- EU: Transmitting Contentious Cultural Heritages With the Arts: From Intervention to Co-Production (TRACES)P56.7%
- EU: Transmitting Contentious Cultural Heritages With the Arts: From Intervention to Co-Production (TRACES)
- 2 Treffer54.4%
- Tiere zum Sprechen bringen. Logistik, Wissenschaft, PräsentationP54.4%
- Tiere zum Sprechen bringen. Logistik, Wissenschaft, Präsentation
- Kirchenentwicklung in Transformationspraktiken. Multiperspektivische Erkundungen im Raum der EKBOP53.7%
- Kirchenentwicklung in Transformationspraktiken. Multiperspektivische Erkundungen im Raum der EKBO
- 1 Treffer53.1%
- Translation for Massive Open Online CoursesP53.1%
- Translation for Massive Open Online Courses
- 1 Treffer53.1%
- Translation for Massive Open Online CoursesP53.1%
- Translation for Massive Open Online Courses
- 1 Treffer53.1%
- Translation for Massive Open Online CoursesP53.1%
- Translation for Massive Open Online Courses
- 2 Treffer52.9%
- Playing beyond CLILP52.9%
- Playing beyond CLIL
- 2 Treffer52.9%
- Playing beyond CLILP52.9%
- Playing beyond CLIL
Publikationen14
Top 25 nach Zitationen — Quelle: OpenAlex (BAAI/bge-m3 embedded für Matching).
Glasnik Etnografskog instituta · 6 Zitationen · DOI
Through the examination of various episodes of the `sessions at the museum`, this text looks at the educational function of the Museum of the Second AVNOJ Session in the Yugoslav and post-Yugoslav context at the level of performance. The text is divided into three chapters. The first looks at the development of the AVNOJ Museum, its function in society, and the museological and methodological context of its activity. In the second chapter I give a short overview of the `fate` of this museum - which was caught up in the storm of the recent war in Bosnia and Herzegovina - and of the first steps that have been made toward rejuvenating the institution. The reframing of the image of the AVNOJ’s Second Session after the disintegration of Yugoslavia, as exemplified by the AVNOJ Museum, is the theme of the third section.
5 Zitationen · DOI
Palgrave studies in cultural heritage and conflict · 2 Zitationen · DOI
Central European University Press eBooks · DOI
Acta Academiae Artium Vilnensis · DOI
In recent decades, provenance research has become one of the most inter- esting areas of academic enquiry, particularly in response to the reorganization and establishment of new “museums of world cultures” amid globalization. However, critical examinations from a Western-centric perspective in museology often overlook the fact that the demand to decolonize museum theory and practices, as well as to establish new institutional forms—such as collections designed to fulfil this vision—was first raised in the second half of the 20th century through the cultural politics of Non-Alignment. The impact of the Non-Aligned Movement’s efforts to “decolonize the museum” remains invisible. This paper seeks to address this gap in the literature of museum studies by analyzing in detail the political and museological negotiations behind the establishment of the Museum of African Art: The Veda and Zdravko Pečar Collection in Belgrade (1977).
Central European University Press eBooks · DOI
The ways in which Yugoslavia is represented in museums across post-Yugoslav states impacts the legacy of its socialist past which can be seen in ethno-nationalistic, nostalgic or traumatic terms. The chapter considers how visual and performing arts reframe post-socialist Yugoslav heritage in ways that purposefully do not align with contemporary ethno-nationalist trends. It does so by focusing on the involvement of artists and curators in the (re)interpretation of socialist legacy at two contemporary museums: the former Museum of National Revolution of Bosnia and Herzegovina (established in 1949) in Sarajevo, now the Historical Museum of Bosnia and Herzegovina, and the former Museum of the Revolution of Yugoslav Nations and Ethnic Minorities (established in 1959) in Belgrade, now the Museum of Yugoslavia.
Palgrave studies in cultural heritage and conflict · DOI
Palgrave studies in cultural heritage and conflict · DOI
Palgrave studies in cultural heritage and conflict · DOI
Palgrave studies in cultural heritage and conflict · DOI
Broken Museality
2022Palgrave studies in cultural heritage and conflict · DOI
Palgrave studies in cultural heritage and conflict · DOI
Palgrave studies in cultural heritage and conflict · DOI
Kooperationen0
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Stammdaten
Identität, Organisation und Kontakt aus HU-FIS.
- Name
- Dr. Natasa Jagdhuhn
- Titel
- Dr.
- Fakultät
- Philosophische Fakultät
- Institut
- Institut für Geschichtswissenschaften
- Arbeitsgruppe
- Wissenschaftsgeschichte mit einem Schwerpunkt in der Geschichte der Bildung und der Organisation des Wissens im 19. und 20. Jahrhundert
- Telefon
- +49 30 2093- 70625
- HU-FIS-Profil
- Quelle ↗
- Zuletzt gescrapt
- 26.4.2026, 01:06:45