Prof. Dr. Shintaro Miyazaki

Prof. Miyazaki erforscht derzeit die kritische Analyse von Künstlicher Intelligenz und maschinellem Hören aus medientheoretischer und postkolonialer Perspektive. Ein aktuelles Projekt entwickelt eine Community Hearing Aid — eine Hörhilfe, die alternative, gemeinschaftsorientierte Ansätze gegenüber kommerziellen Smart-Hearing-Technologien verfolgt. Seine Arbeiten untersuchen, wie KI-Systeme und Hörtechnologien in neoliberale Konsumlogiken eingebunden sind, und suchen nach Gegenpraktiken durch Konzepte wie ‚Commoning' und ‚Algorhythmics'. Die Forschung verbindet Mediengeschichte, Politische Ökonomie und Sound Studies und adressiert damit Fragen für Unternehmen und öffentliche Institutionen, die Technologien verantwortungsvoll gestalten wollen — insbesondere in den Bereichen Medizintechnik, KI-Governance und nachhaltige Technologieentwicklung.

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• Entwicklung, Produktion und Vertrieb einer Community Hearing Aid

  Quelle ↗

  Förderer: Bundesministerium für Wirtschaft und Energie Zeitraum: 01/2026 - 12/2026 Projektleitung: Prof. Dr. Shintaro Miyazaki

• AlgoRHYTHMS Everywhere: A Heuristic Approach to Everyday Technologies

  2013

  DOI

  Ouverture In a post-digital era, where digital computerized technology is no longer a novelty but already ubiquitous, it is crucial to understand the meaning-creating potential of rhythm in a “media archeological,” techno-cultural, and epistemological sense (Ernst 31; Huhtamo and Parikka). And while doing so rhythm should be defined as an inter-modal1 tool and model for analyzing cultural objects and their hidden relations with current techno and media-cultural situations. “Algorhythm” is a heuristic combination of the words ALGORITHM and RHYTHM. Algorithm is a term crucially used in computer science and means a finite sequence of step-by-step instructions, a procedure for solving a problem, often used in computers as a fundamental principle of software or in everyday life, for example as cooking recipes. Rhythm, on the other side, is defined by Plato as a time-based order of movement, where movement should be understood as movements of materials that can be measured by technical—but at the same time epistemological—tools.2 “Algorhythms” are consequently combinations of symbolic and real physical structures. They occur when real matter is controlled by symbolic and logic structures like instructions written as code. “Algorhythms” let us hear that our digital culture is not immaterial, but lively, rhythmical, performative, tactile and physical, and, most importantly, that “algorhythms” are not just normal rhythms. Their transmissions and storages can nowadays be quick enough to deceive our senses, and also their manipulative power—namely their speed and quality of calculations—became in the last decades faster than our human senses. “Algorhythms” oscillate “in-between” the symbolic and the real, between codes and real AlgoRHYTHMS Everywhere: A Heuristic Approach to Everyday Technologies

• Algorhythmics: Understanding Micro-Temporality in Computational Cultures | Computational Culture

  2012